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A seafoam ensemble shrouded in Barclay's shadow, all senses engaged—hands reddened by vehement clapping, voices raspy from ceaseless cheering, eyes wide in disbelief. The city that never sleeps? Nah, it's the city that never stops. But when Sabrina Ionescu is playing, just for a brief moment, the whole city does stop. It watches and moves as one ensemble to Sab's rhythm. SLAM 264 is here now, New York.
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